Professional fashion trends 2022 by Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
I am so happy to be back in New York, a city that has always been close to our hearts, said creative director Sarah Burton of the house’s first show in the city for more than 20 years. We showed the Dante collection here in 1996, and then came again with Eye in the autumn of 1999. It is part of our community, a place that has always welcomed us, and this season I want to honour that. So, this collection is inspired by that idea of community, and specifically by mycelium, by the reality of nature as a community that is far, far older than we are. Mycelium connects even the rooftop of the tallest skyscraper to the plants, to the grass, to the ground, to animals and to human beings. Mycelium has the most profound, interconnecting power, relaying messages through a magical underground structure, allowing trees to reach out to each other when either they or their young need help or are sick. The idea is humbling – beautiful – and, of course, a metaphor for interconnection and for community between people, between us all. We exist as single, individual entities on one level, but we are far more powerful connected to each other, to our families, to our friends, to our community. Given everything that has happened over the past two years, that seems more important than ever. As a community we are infinitely more able to restore, reinvent, rejuvenate – heal.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In spring of 2021, Gaza and East Jerusalem saw their worst bout of violence in seven years, with thousands of injuries and a death toll that disproportionately affected Palestinians. The world witnessed the events with fury, watching the tragedy unfold during the Muslim Holy Month of Ramadan. The occupied land tucked alongside the coast of Palestine was again under attack—a site of conflict and battle since the early twentieth century. For decades, the ache of oppression has embedded itself in the psyche of the Palestinian people—studies prove Palestinians are at particularly high risk of experiencing anxiety and post-traumatic stress disorder as a result of political and societal discrimination.